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Ood Cast Guide #12: Daleks

Chris Alpha | September 27, 2010

Surely the greatest of all the Doctor’s foes.  Best-known horrors in the universe.   The first villainous creature from Who to get itself snapped by Lord Snowdon for a postage stamp, get its own movie deal, get voted as better than both Godzilla and Gollum in the same poll and to have a small, wheeled library stool named after it.  Also, of course, the first Doctor Who characters to find a regular position both on a condiments tray and in a plumber’s van.

Created by Davros to be the final and greatest weapon of the brutal Skaro civil war, the Daleks soon grew a little too big for their shiny metallic boots and disobeyed their creator.  Essentially weapon-wielding toddlers in over-sized walking frames constantly throwing paddies, they are mutated Kaleds (one of the humanoid native races of Skaro), which – depending on which particular part of the mythos you catch – are a sort of green-ish gooey blob with several legs, a kind of glass vial with something crammed into it or even an one-eyed leggy octopus in a sheltered motorised scooter.

But these tin squid cases have been an all-conquering, ruthless force in interplanetary warfare for more generations than you’ve had cups of tea (which, incidentally, they’re pretty nifty at serving to military leaders).  Devoid of emotions other than hatred, Daleks are efficient, authoritarian and determined to achieve complete conformity – by wiping out every non-dalek lifeform, race and species.    But occasionally they show some fear – and although that used to be when they came across a spiral staircase, later it happened when they were confronted by an angry, gun-toting female.

Over the millennia, Dalek life has been beset and divided by civil wars – initially between the Thal and Kaleds (or was that the Dals and the Thals), Imperial Daleks and Renegade Daleks, and later on with the Dalek version of Scientology – the Cult of Skaro…  But most recently we saw a new generation being created when Dalek DNA was accidently mixed with a packet of Smarties.

They have been defeated by the Doctor on numerous occasions, using various methods – including turning pacifist Thals into genocidal bludlusting Dalek killers, but much more commonly, using something to blow them up… volcanic explosions, self-destruct devices, straightforward bombs and the Hand of Omega have all been used the destroy dalek ships, and on at least one occasion, the building they were in was blown up to stop their attempts at conquest.

There’s little to distinguish between Daleks – they share speech patterns, tones and voices as well as thought processes and instincts… and not one has thought to embellish the catchphrase they first uttered on screen in 1963: “Exterminate”.  That’s a little lazy, right?

—-

Essentials:

First appearance: “The Daleks” [AKA “The Mutants”/ “The Survivors”] (1963)

Best story: Genesis of the Daleks (1976).  Or maybe “The Daleks” (1963)

Most inexplicable appearance: The Five Doctors (1983)

Favourite invention: Escalators

Weaknesses: Eyes on rather easy to snap off/cover up stalks.  Other than that, a bomb clearly seems to do the trick.

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Ood ear…

Andrew | July 8, 2008

Now it’s my turn to be the contrarian.

Ummmm

Sorrrrrry

But

I really didn’t like it.

Gasp.

I actually nearly switched off after the resolution to the multiple cliffhanger. Sorry, I said resolution, I was aiming at cop out and accidently said resolution. No one was in any danger at all. Come ON! I lost count of the number of characters in there, shoe horned in like Old Mother Wotsit and her shoe. Davros did practically nothing, what a waste! A new Doctor was grown so Rose could have him, blergh. It was all, oooooo we are in danger!!! Oh, no we are not so that’s all right then.

Towing a planet through space? No, come ON! What would happen to the gravitational forces and therefore the atmosphere? Someone tell me if that’s possible?

You had to have some knowledge of the Christmas Invasion (the hand and Harriet Jones) and Doomsday (Rose, Bad Wolf Bay, Jackie and Mickey). You had to know who Captain Jack and Martha were. If all those companions hadn’t been involved then we might have had more plot.

What a build up to Davros’ end of series entrance only for him to do almost nothing. The comparision of the Doctor and Davros as the two destroyers of worlds was interesting and I was surprised that it wasn’t explored further.

One thing did work for me! (Hooray!). The Doctor Donna. Nice idea; the companion that becomes the Doctor but cannot ‘take’ being part Time Lord. (Loved the opportunity to show that Doctor could fix the chameleion circuit if he wants to). How sad that this wonderful hero will never know what she did with the Doctor. What a down beat ending too. I hope Donna does make something of her life now. But then, it’s only a story.

Oh well…. I love Doctor Who. And I love what Russell T Davies has done with it. It’s just this time I didn’t.

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Captain Jack, David Tennant, Davros, Donna, Jackie, Journey's End, Martha, Mickey, Rose, Russell T. Davies
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Red Letter Days

Chris Alpha | July 7, 2008

Saturday was supposed to be a momentous day for Doctor Who – it was RTD’s big finale, in effect. An episode where he pulled together as many loose strings from the last four years as he could fit into an hour and tried to tie them all together once and for all.

We finally saw the door slammed on the ridiculous Doctor-and-Rose-sitting-in-a-tree… “tension”. Mickey finally moved on (to Torchwood?). Martha finally seems to have joined Torchwood permanently. Donna is back with her family – having got better and better as the series rolled on. And we got that answer to the regeneration question.

But did it all come off?

I think so, yes – but to be honest, I’m not all that sure.

It was fantastic to watch – a real visual feast. But it was a disappointing way to close off such a massive story… There was so much to go on, so much promise, and we got a bit of a cop-out and a lot of confusion…

Personally I didn’t mind the cheesy family-stuff with the Doctor and his “children of time” as Davros put it. Actually, the way he said it made it all pretty chilling. I loved the delightfully-mad Dalek Kaan, his false prophecies and ultimate betrayal – and that the Doctor even offered to save Davros’ life at the end.

But I didn’t really understand why all the companions were needed – excepting maybe as a distraction for the Doctor. A particular highlight for me was Davros. The scenes involving him were magnificent – and particularly when he thought he was in total control. Ahough they could have and should have done a lot more with him than they did.

The two-way meta-crisis: interesting idea, although its back to RTD’s “imaginative” science… I really enjoyed the consequences – the Doctor who talked like Donna, and finally an explanation to the Ood’s mysterious Doctordonna… But for me, it was more Star Trek than Doctor Who, and I have never been a huge fan of Star Trek…

I thought what they did with Donna’s “death” was excellent – and she was finally properly likeable – proper human emotions in trying to deal with a situation so far removed from being “just a temp. From Essex.” The extra Doctor was borderline for me. I sort of saw it coming, but hoped that it would be something else. I think it was handled well until the Bad Wolf Bay bit, and then it got nauseating, but at least it got the romance element out of everything (every cloud and all that).

The ending in particular, with Wilf, was lovely. Very sad, and I am particularly sad to see Bernard Cribbins’ place in the series go with Donna. But it was a good ending to a very good year in Doctor Who.

Three things though – C, G and I.

The Daleks, for me, had their appeal in being an endless force – no matter how many were destroyed or disabled, more and more came after it. Part of the secret was that you couldn’t see or know just how many there were. Genesis, Revelation or Planet of the Daleks wouldn’t have been as tense or dramatic or good if you could seen thousands of them flitting around on their way to battle stations, coffee breaks etc…

But when the Doctor walks out into a massive space, filled with flying Daleks, I lose interest. It looks like a hoard of fruit flies bustling around a discarded apple core. Its not threatening, or scary. It’s preposterous.

The other bit that bothered me was the whole “towing the earth back home” bit. As a concept and a plot point, its fine – it’s a very Doctor thing to do. But why oh why oh why did they have to show it? It looked cheap and silly. We didn’t need to see it.

I could see it working with say, Tom Baker – but it would certainly not be shown… It would have been one of those little asides… You know, like this:

Sarah: But Doctor, what about the Earth?
Doctor: What about it?
Sarah: For goodness sake, its still stranded miles from where it should be!
Doctor: Oh that. I towed it back into position using the TARDIS. (Teeth fill the screen) Come on, let’s go and find a cup of tea…

And that scene where they’re all flying the TARDIS… it was the first time in a long, long time that I’ve wanted to go and make a cup of tea in the middle of Doctor Who (for the record, the last time was while I was watching a video at uni… and my VCR was a fancy model with a pause button and everything…)

All in all, it was brilliant – if self-referential and a bit messy- a real climax to the first four seasons, and despite its flaws, I’m glad it was so big and bold. What a fantastic way of clearing the decks for the Vast Toffee* to step in.

And then there was the trailer (or should I say “spoiler”) for the Christmas special. What was it again?

Oh yes:”Coming this Christmas… The return of the Cybermen.”

Well. Thanks.

That’s the surprise taken out of that one then. Where are your spoilers now, River Song?!

Still, I suppose that stopped The Sun leaking it later on.

*Vast Toffee MN (Master of Nightmares) – Steven Moffat – brilliant anagram courtesy of Staggering Stories…

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Cybermen, Daleks, David Tennant, Davros, Donna, Journey's End, Rose, Russell T. Davies, Steven Moffat, Tom Baker
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Trailer nonsense

Chris Alpha | May 30, 2008

I am writing at the end of the week where the good Dok-tor was replaced by a bunch of over-made-up European tunebreakers. Eurovision took preference, and Who fans have had to make do with a teaser trailer again.

I also write this just after the first ever get-together of the Ood Cast writers – fine gentlemen, all – and the night before the Moff unleashes what looks to be an even more frightening story than last year’s Blink. Only this time, we have to get through two episodes behind our white knuckles!

I actually quite like the break to accomodate Eurovision. And that’s not just because I like the Eurovision (although, embarrassingly, perhaps, I do – even if it is mainly for Sir Terry) but it affords us a bit of a breather before we set off on the usually terrifying road to the season finale. And it gives us a chance to ruminate on what’s been and get pant-wettingly excited about what’s coming up.

But some take this more seriously than others. Some can’t stand the week’s break (really – think about how long we had to wait for the series to come back, guys – what’s a week?), and others take what they’re given and over analyse to a ridiculous extent.

My colleague Andrew told us about a fan website he occasionally looks at (I won’t bother plugging it, and you’ll see why*), and that the last time he went there, there was a huge spoiler – the title of the still secret Episode 12 – on the front page for all to see, whether they want to or not. I hate this – I really don’t want to know what’s going to happen until it’s on a TV screen in front of me, thank you very much. And that’s why I’m not overly excited by the mid-season trailer. It was much of a muchness to me – nothing very new here – we knew the Daleks would probably be involved thanks for the pre-season trailers that appeared on the BBC Youtube channel, and the trailers and other interviews with past guests seem to have revealed that we’re also going to see Harriet Jones back, as well as Captain Jack and Sarah Jane Smith (although Rose holding a gun is a bit of a jarring image (not sure a certain timelord is going to approve of that…).

Oh, except of course for the glimpse of what could be Davros.

It would be fabulous if it was. But the thing that rankles is this: some fans have taken the images of the dalek-thing that could be Davros, and are analysing it. So they can try and find out if it really is Davros.

I DON’T WANT TO KNOW! I REALLY, REALLY, REALLY DON’T WANT TO KNOW! And I am not entirely sure if people who do things like that are really proper fans of the show – probably obsessives rather than fans. But why inflict this on others? If you want to spoil it for yourselves, go ahead. Otherwise, go out and meet some people in the flesh instead of online.

I just don’t see the point. The beauty of the last series was enhanced for me by the fact that I steered clear of the fan debates and the speculation online. All the episodes were fresh and new to me – and I loved every second of every one of them – maybe with the exception of the bad CGI Mark-Gatiss-monster in The Lazarus Experiment… and anyone who knows how much I like the Master as a character can only imagine the kind of joy I went through in discovering the final three parts of series 3 (or 29 if you’re picky). I’m more immersed in the whole “whoniverse” this time, and I like it, although some of the more critical judgements of fans make me want to stop paying attention. I’m looking forward to whatever is about to come.

*Of course, were there to be a commentary track for these blog posts, I may accidentally reveal that I didn’t plug it because I forgot the name of the site… Of course, I wouldn’t do such a thing on here…

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